Nothing To Hit But The Heights

Posted by matt On March - 28 - 2009

Everything’s Coming Up Roses

As the New York sun slowly decides to share its warmth, Matt’s life and career are heating up and depression’s thawing.

“The last thing I remember is leaving the bar despite the gogo dancer’s invitation to stick around,” explained my friend. On a recent trip to New York he was telling me about a trip he recently took to West Hollywood and the phenomenon he described as drunk autopilot. “Then I realized I couldn’t remember what hotel I was staying at. The next thing I know I’m waking up in my bed, on-time and with all my clothes on — no strange person in the room with me. I’ve got a good autopilot when I’m drunk.”

As actors, we’re taught about objectives and how they should lead your character through a story. My friend’s objective was strong enough to get him safely to his bed. He of course, didn’t want to wind up in a compromising situation, or be late for his work function the following day. I’m telling you this because as the weather is growing warmer, I feel like I’ve come out of hibernation. I read my last blog about eating all that leftover Thanksgiving turkey and realized that somehow, I came out of winter better than I went into it. I’m doing a show, I’m making ends meet — even if it is on very little, and I’m not working some stupid job… I’m a working actor. Ok, ok, I do a few other things to make money here and there other than the show, but my days are filled with lots of activity pertinent to being an actor. Read the rest of this entry »

A “Feel Good” Headache

Posted by matt On March - 28 - 2009

I had my New York Theatrical Debut this Thursday, March 26th, appearing in Alyson Pou’s “A Slight Headache” at South Street Seaport Museum’s Melville Gallery. If you’d like to see it, you have until April 19th. Sometimes as artists, or even New Yorkers, we feel like the black sheep of society because we’ve made a choice to do something different with our lives. “A Slight Headache” is essentially the story of an ambitious, intelligent girl who wants to leave home to be a scientist. There’s one major problem however, her mother. The show takes audience members back to the 1890s where a mother and daughter run what is essentially, an upscale freak show. The mother and daughter are themselves “freaks” as they are attached by hair that cannot be cut (a knowing and playful twist on conjoined twins). As the daughter grows, she feels that she is merely a pawn in her mother’s enterprising ways and looks to escape.

I play the part of The Maestro. He’d hoped to play the piano and sing to audiences in beautiful concert halls, but now, he performs once an evening at a freak show… and it’s not even Mr. Ripley’s! For the rest of the night, he accompanies mother and daughter through their gimmicky show which the mother is often drunk during. The project was a lot of fun for me and I even got to write a large portion of the music that is performed. The show runs at 7:30pm, Thursday, Friday, Saturday, and Sunday. Details are below…

Matt Falber as the Maestro

PURCHASE TICKETS

A SLIGHT HEADACHE
March 20 – April 19
South Street Seaport Museum, Melville Gallery
213 Water Street NY, NY

A Slight Headache (www.aslightheadache.com) is a play of sensuous lyricism staged within a dime museum installation in the evocative setting of New York’s downtown historic district. The event aims to transport audiences back to a time when “the wonders of nature, the works of man” were displayed for profit with amazing theatricality. The classic theme of a daughter’s struggle for freedom and a mother’s quest for survival takes place among the strange, the unusual, the bizarre and the exotic. A new piece written and performed by Alyson Pou, directed by Jessica Bauman, with Gregory Cohen Frumin and Matt Falber.

Performances March 20 – April 19
Thurs – Sun 7:30p

PURCHASE TICKETS

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